Correspondence Collective, Clayhill Arts

An exhibition of Miniatures, inspired by the Postal Art movement. Theme: Restriction

I responded to a Call for Artists in February 2021, to create four pieces of artwork to fit tiny compartments in an antique letterpress drawer chest. Shortly after I applied, I heard that I was allocated two 3x9cm and two 6x9cm spaces with a maximum height of 5cm. The work would stay in the permanent collection at Clayhill Arts, Bridgwater and a livestream would be launched on 23 March of the exhibition, funded by the Arts Council. For more details, see the website: https://www.clayhillarts.co.uk/correspondence-collective-open-call-for-work/

New Home: The letterpress chest bought by Clayhill Arts from Glastonbury Reclamation.

During Lockdowns, I experienced many frustrations and sought solitude to create, using my own resources. I decided to base my artwork around these feelings, using metaphors to communicate them.

The finished pieces, posted on 3 March.

Stage one of Lockdown:

‘I’m lucky to live in a beautiful place and value the solitude I need to create.’

An isolated cottage in Dartmoor surrounded by sheep and a stone wall.
Porcelain box with lid 3x6x4cms

Stage two of Lockdown:

‘I feel comfortable in my own space and can replenish my energy in my own time.’

A cat asleep in a cardboard box on fabric. One eye is opened when the drawer is pulled open as he’s been disturbed. Raku and black stoneware powder, craft paper & fabric. 6x8x4cms

Stage three of Lockdown:

‘Sometimes my pond is busy but I’m with my family and we have all we need to survive’.

Koi carp and leaves in a crowded pond. Porcelain with glass frit, fused and covered with clear nail varnish. 3x6x2.5cms

Stage four of Lockdown:

‘My growth is in abundance and it’s nearly time to show the world my creations of lockdown.’

A bird frantic to escape the cage he’s been held in, to join the outside world.
Porcelain and nichrome wire. 5x7x1cms